Paris Photo 2023
Booth A07
November 9–12
VIP & Vernissage Openings: November 8
Gallery Luisotti will focus its Paris Photo 2023 booth on two intertwined trajectories in the development of conceptual ideas in photography. One following the performative and interactive image, and the second using the landscape to measure human memory and the expansion and contraction of time.
We have long valued the contributions our artists have created around the contemporary landscape. This year we present 11 artists with works spanning from the 1970s to the present.
Lewis Baltz
Robert Cumming
John Divola
Christina Fernandez
CJ Heyliger
Ron Jude
Simone Nieweg
Mark Ruwedel
Ursula Schulz-Dornburg
Toshio Shibata
Catherine Wagner
Featured works include two artists exploring the traces of past Cold War atomic testing sites in the USA and Russia, Mark Ruwedel’s long out-of-print sequence, Wendover: 9 Bomb Craters, NV,1999/2008 and Ursula Schulz-Dornburg’s last available installation from her series Kazakstan, 2012. Lewis Baltz unveils hidden virtual landscapes with his 1990s portfolio, 89/91 Sites of Technology.

Mark Ruwedel
Wendover A.F.B.: Nine Bomb Craters, 1999/2008
9 – Gold toned black and white gelatin silver prints on rag board
Each, 11×14 in prints dry mounted to 20 x 24 inch rag board
Edition: unique
Lewis Baltz
89/91 Sites of Technology, 1989-1991/2006 (Portfolio)
53 – Fuji Crystal Archive DPII prints
Each, 11x 14 in. prints
Edition 7 of 7

Ursula Schulz-Dornburg
Opytnoe Pole, Kazakhstan, 2012
11 – gelatin silver prints
Each, 18.25 x 18.25 inch prints
Edition of 5 (various editions)
John Divola’s, As Far As I Can Get in 10 Seconds, Robert Cumming’s Ansel Adams Raisin Bread, 1973/2020 along with various Raisin Bread artist’s ephemera and Catherine Wagner’s The Bell Jar, Sylvia Plath from her trans/literate series, present humorous and thought provoking performative and installation-based imagery.

Catherine Wagner
The Bell Jar, Sylvia Plath, 2013 (diptych)
2 – color archival pigment prints
1 – 18 x 18 and 1 – 18 x 27 inch prints
Edition 2 of 5

John Divola
As Far As I Could Get (in 10 seconds), 1996-1997
b&w archival pigment print mounted on museo rag paper
64 x 44 inch print
Edition 1 of 3

Robert Cumming
Ansel Adams Raisin Bread, 1973/2020
2 – Contemporary b&w archival pigment prints (diptych)
Each, 20 x 25 inch prints
Edition: 1 of 5

Robert Cumming
Couch Like Objects; Fat – to – Lean, 1975 (triptych)
3 – Vintage gelatin silver contact prints
Each, 8 x10 in. prints
Edition: Unique
We end with works exploring the essence of the sublime in the landscape. CJ Heyliger’s ethereal False Eclipse, Simone Nieweg’s intimate garden typology, Tableau VI, Toshio Shibata’s magical staircase from Izumi Village 2, Japan, Christina Fernandez’s new window scenes for the series View from here and last Ron Jude’s new monumental image, Obsidian, 2023, part of his 12 Hz series.
Christina Fernandez
Andrew (Ulm, WY), 2023
from the series View From Here
Archival pigment print
122.5 x 15 inch print
Edition 1 of 5
Christina Fernandez
Hideo (Heart Mountain, Japanese Internment Camp, WY), 2023
from the series View From Here
Archival pigment print
22.5 x 15 inch print
Edition 1 of 5
Toshio Shibata
Izumi Village, Kumato Prefecture, 1991
Vintage gelatin silver print
49 x 41 in. framed
Edition 1 of 10
C.J. Heyliger
False Eclipse, 2017
b&w archival pigment print
20 x 25 in. print
AP1 (from edition of 7, 2AP)

Simone Nieweg
Tableau VI (Garden Vegetables), 1990-2005
6 – Chromogenic prints
Each 12 x 16 in. prints (213/4 x 27 1⁄2 in. ea. framed)
Edition 1 of 3

Mark Ruwedel
Glendale Narrows #24, 2017
Gelatin silver print mounted to archival board
11×14 in. print on 20×24 in. board
Ed. # 5 of 5

Ron Jude
Obsidian, 2023
b&w archival pigment print
56 x 42 inch print
Edition 1 of 3
List of Special Events
Thursday, November 9
Curator Talk
Emilia Mickevicius on Robert Cumming
November 9, 1pm
at Paris Photo, Gallery Luisotti Booth A07
(Emilia Mickevicius, PhD. is the Norton Family Assistant Curator of Photography, Center for Creative Photography and Phoenix Art Museum)
Friday, November 10
Book Launch: Very Pictorial Conceptual Art, Robert Cumming and Signing with David Campany
November 10, 3–4pm
at Stanley/Barker
Paris Photo, Booth Booth SE27
Saturday, November 11
Film Screening at The MEP: On Closer Inspection: Robert Cumming
November 11, 3pm
at Maison Européenne de la Photographie (MEP)
Please RSVP, email: info@galleryluisotti.com

Mark Ruwedel
Glendale Narrows #24, 2017
Gelatin silver print mounted to archival board
11×14 in. print on 20×24 in. board
Ed. # 5 of 5
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Robert Cumming
Couch Like Objects; Fat – to – Lean, 1975 (triptych)
3 – Vintage gelatin silver contact prints
Each, 8 x10 in. prints
Edition: Unique
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Lewis Baltz
89/91 Sites of Technology, 1989-1991/2006 (Portfolio)
53 – Fuji Crystal Archive DPII prints
Each, 11x 14 in. prints
Edition 7 of 7
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Robert Cumming
Ansel Adams Raisin Bread, 1973/2020
2 – Contemporary b&w archival pigment prints (diptych)
Each, 20 x 25 inch prints
Edition: 1 of 5
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John Divola
As Far As I Could Get (in 10 seconds), 1996-1997
b&w archival pigment print mounted on museo rag paper
64 x 44 inch print
Edition 1 of 3
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Christina Fernandez
Hideo (Heart Mountain, Japanese Internment Camp, WY), 2023
from the series View From Here
Archival pigment print
22.5 x 15 inch print
Edition 1 of 5
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Christina Fernandez
Andrew (Ulm, WY), 2023
from the series View From Here
Archival pigment print
122.5 x 15 inch print
Edition 1 of 5
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CJ Heyliger
False Eclipse, 2017
b&w archival pigment print
20 x 25 in. print
AP1 (from edition of 7, 2AP)
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Ron Jude
Obsidian, 2023
b&w archival pigment print
56 x 42 inch print
Edition 1 of 3
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Simone Nieweg
Tableau VI (Garden Vegetables), 1990-2005
6 – Chromogenic prints
Each 12 x 16 in. prints (213/4 x 27 1⁄2 in. ea. framed)
Edition 1 of 3
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Mark Ruwedel
Wendover A.F.B.: Nine Bomb Craters, 1999/2008
9 – Gold toned black and white gelatin silver prints on rag board
Each, 11×14 in prints dry mounted to 20 x 24 inch rag board
Edition: unique
INQUIRE
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Ursula Shulz-Dornburg
Opytnoe Pole, Kazakhstan, 2012
11 – gelatin silver prints
Each, 18.25 x 18.25 inch prints
Edition of 5 (various editions)
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Toshio Shibata
Izumi Village, Kumato Prefecture, 1991
Vintage gelatin silver print
49 x 41 in. framed
Edition 1 of 10
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Catherine Wagner
The Bell Jar, Sylvia Plath, 2013 (diptych)
2 – color archival pigment prints
1 – 18 x 18 and 1 – 18 x 27 inch prints
Edition 2 of 5
INQUIRE
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