A Landscape Holds You Still, 2023–

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  • Curtain-to-the-Crater-40x50_sml
  • SelfPortrait-Back-Median
  • Where-the-LA-River-Begins-32x40_sml
  • Arlene Mejorado_I Remember Drawing on-My Fathers Back With a Ballpoint Pen, 2023
  • At-the-Median-of-Parthenia-28×35
  • A View of Sylmar_2023 (32×40)
  • Crista-and-Fenix-28×35
  • Where-The-Concrete-Ends-40x50_sml
  • Untitled Diptych, Curtain at the median 2023 – 2
  • Deanna-Sitting-Reseda-02
  • Arlene Mejorado_ Handling A Mothers Archive, #1, 2023
  • Arlene Mejorado_ Handling A Mothers-Archive, #02, 2023
  • Natlya, Portrait, 40×32
  • MovieSet-Divider-30×24
  • Mother-Pool-35×28
  • Tampa_Wall-Tree-Shadow-30×24
  • Fathers-Back-Photo-30×24
  • Maribel-Photo-Back-30×24
  • Streetside Hearts (35×28)
  • FlowerSculpture-35×28

A Landscape Holds You Still, 2023–

Problematizing the relationship between image and placemaking, Mejorado intervenes at the intersection of the urban exterior and its many liminal sites. She works through staging intimate gestures, marking space with memory and constructing rehearsals in remembering while also leaning into the sentiment of unplacibility. This body of work made in the San Fernando Valley contemplates what Gaye Theresa Johnson theorizes as “investing critical meaning,” within a landscape often described as a “non-place,” whose banal everydayness serves as a vast backdrop to Los Angeles, movie making, and the largest creative industry in the world.